In the first two parts of a three-part New York Review of Books series on the quality of journalism online, Michael Massing has amassed a thoughtful collection of reported anecdotes that serves as an unusually detailed snapshot of the current state of the industry. Part one evaluates the quality of first-generation online journalism and declares it kind of “meh.” Part two asks how digital startups of more recent vintage have fared. His verdict: disappointing and uneven, with such heralded innovations as longform narratives “stillborn.” (Massing says his third part will appear later this year.)
While I appreciate Massing’s focus on editorial quality instead of the usual hand-wringing about the commercial prospects of online publishing, I see his take on things as entirely too pessimistic — at least when it concerns the criminal-justice journalism that I pay close attention to.
I’m not a preternaturally positive guy, especially on the topic of quality journalism. After all, consider: a decimated business model in traditional publishing; stagnant wages and free-falling freelance rates; the ascendance of the most vapid forms of journalism as product-promoting PR, celebrity-celebrating fluff, and listicle-churning clickbait. I regularly see friends and former colleagues laid off, fellow freelancers abandoning journalism for gigs as sponsored-content writers, and newsroom morale rotting in a stew of idiotic corporate Dilbert-itis and quality-killing staffing losses. In crime news specifically, it’s far easier to find exploitative, mindless scare stories aimed at fueling rage and resentment than to see stories deeply reported and emotionally powerful that offer solutions and understanding.
But here are some snapshots of my own that show why developments in the past year or two justify optimism:
SO MUCH GOOD STUFF
Here’s last week’s City and Regional Magazine Awards‘ crime-heavy winners list. That’s not surprising, considering what any major journalism awards list looks like year after year. There is such a surfeit of deeply reported, meaningful journalism and so many ways to find it — from curated sites and feeds, and from daily newsletters like those from The Marshall Project and The Crime Report — that it’s impossible to keep up with it all. And equally impossible to take seriously the frequently made claim that “the media” (as if it’s just one, monolithic thing) don’t care about substance.
I recently abandoned my unpaid work in keeping my own list of standout stories, simply because the volume overwhelmed me and was seriously cutting into my productive time to earn a living doing this work instead of just talking about it. (I still post links to such stories several times a day on my social-media feeds, though I no longer feel obligated to read and critique more than I can fit into my schedule.)
Last week’s conference of Investigative Reporters & Editors drew about 1,800 journalists to several days of high-level seminars on producing public-interest, accountability journalism. Judging from my Twitter feed, the conference continues to grow and has lost none of its power as an inspirational gathering of the craft’s leading practitioners.
The point is: If you claim this kind of journalism is going away, then you’re just not looking for it.
SO MUCH FRESH TALENT
On Saturday night, one of my former students at Syracuse’s Newhouse School, Julie McMahon of the Syracuse Post-Standard, won AP New York state honors as young journalist of the year. She also won first places for beat reporting (she covers the cops beat) and for features. Here is her winning story, a powerful story about a gunshot victim’s recovery. In just her first few years as a pro, she has shown she has the brains, skills, and work ethic to carve out a significant role for herself in a business (both generally, and specifically at the Post-Standard) that has been declared all but dead.
She is hardly alone in that. Look, for example, at the winners and their work in the recently announced Livingston Awards, where important criminal-justice stories dominate.
SO MANY AMBITIOUS STARTUPS
Though The Marshall Project gets most of the attention, as the boldest crime-focused digital-journalism startup — and deservedly, as its stellar team consistently produces smart, deep storytelling on the most important policy topics — crime stories with true merit regularly sprout at such sites as The Intercept, Reveal, Vox, Yahoo News, Vice, The Atavist, TakePart, BuzzFeed, Colorlines, Matter, Texas Tribune (and many other regional digital-news outlets), podcasts such as Life of the Law and Criminal, and many others. Not to mention old-timers like Politico, Slate, and Alternet.
Will they all survive while sustaining the current output of ambitious journalism? Of course not. But think back just a few years, to a time when all we ever heard was naysaying about the potential for any seeds to sprout in the Web’s fallow soil. Here we are, awash in good stuff by new players, at traditional and digital-native operations alike, and by young and not-so-young journalists making a living at it.
Massing’s point is broader than my crime-specific take on the business. But, from what I see happening in the journalism of science, politics, sports, culture, and business, crime journalism is no outlier. Though the business models continue to struggle for footing, we’re creating the necessary precursor for any successful business and industry: a quality product that draws an audience and serves the public interest.