On the nightstand: Friday, 10/24/14

Today’s good reads in criminal-justice journalism, with an emphasis on longform narrative stories and original reporting about crime victims and reforms in sentencing and prisons:

  • Hanna Rosin, in a deconstruction of The American Life’s Serial podcast, calls the true-crime narrative now in its fourth week a potentially “truly radical” crime reporting form that is audio’s “New Journalism moment.” Either that, Rosin writes, or producer Sarah Koenig is manipulating us by saying she doesn’t know yet what to believe from her reinvestigation of a murder 15 years ago. Or, in a third theory, Rosin suggests Koenig could be acting like an amateur, taking us with her through the roiling emotional swings that are common in crime reporting. Like Rosin, I’m obsessed with Serial, and I like her smart yet uncertain take on what it is we’re obsessed with. (Slate)
  • Laura Eggerston told the story of Corporal Nathan Cirillo’s death in the Ottawa shootings powerfully and evocatively, by focusing on the thoughts and actions of a lawyer who happened upon the scene. What Barbara Winters did, and especially what she told Cirillo in his final moments, will stick with you as a pure expression of what compassion for a victim looks like. (Hamilton Spectator)
  • Frank Serpico (yes, that Frank Serpico) penned a long essay about the common thread running between his notorious case of police corruption to today’s scandals over police brutality. He writes about how someone who loves police and their work can still advocate for reform and accountability. (Politico)

This not-quite-daily digest compiles and expands on posts I’ve made on Twitter, Facebook, and my other social media feeds. See the buttons on the left rail to follow me on one of those sites, or follow this blog via RSS or email.

On the nightstand: Thursday, 10/23/14

Today’s good reads in criminal-justice journalism, with an emphasis on longform narrative stories and original reporting about crime victims and reforms in sentencing and prisons:

  • Jerry Adler profiles Max Kenner, the prison education innovator whose program in New York prisons for Bard College has gained national visibility. The numbers of its graduates are small, relative to America’s prison population. But, as Adler makes clear in this engaging narrative, the success is in the personal stories of liberal-arts grads who better themselves while incarcerated. (Smithsonian)
  • Lauren Foster and Daniel Funt look at Save Our Streets, a violence intervention group with 15 sites across New York City. It’s modeled on Chicago’s famed Ceasefire program, now called Cure Violence. This story goes into more depth than others I’ve seen (outside of academic papers) to describe the methods used to reach out to youth prone to perpetuating a culture of violence. (The Bronx Ink)
  • Reporter-columnist Jim Dwyer, using a Drug Policy Alliance report last week as his starting point, asks what difference it makes that New York Mayor Bill de Blasio’s plan to reduce marijuana possession busts hasn’t panned out. Dwyer’s subject: a working man effectively ruined over a remarkably trivial accusation. (The New York Times)
  • Shane Bauer makes two main points in his story about visiting a trade show where police test various armaments for military-style operations: far more government money gets spent on weapons and related gear than just the surplus gear that became an issue after the police response in Ferguson; and the people buying and selling that gear, in what amounts to a multi-billion-dollar industry, are pretty sensitive about letting critics watch what they do. (Mother Jones)

This not-quite-daily digest compiles and expands on posts I’ve made on Twitter, Facebook, and my other social media feeds. See the buttons on the left rail to follow me on one of those sites, or follow this blog via RSS or email.

Project update: Off to NYC

Time for another reporting trip, this time to New York City. And there’s a story behind that.

Last January, I was in New York as a finalist for a Soros Justice Fellowship. The morning of my final interview by the selection committee, I was reading news online and discovered that one of my planned stories in my crime-victims series had just taken an unexpected turn.

My project proposal included a story about the work of Susan Herman, a longtime victims advocate whose “parallel justice” theory had intrigued me since I first read about it (see past posts here). I had interviewed her years earlier for a short article on it (a sidebar to a longer story about restorative-justice dialogue in crimes of violence). Now, I proposed to the Soros folks, I would visit one of the sites where police used her methods to improve services for victims.

The news about Herman was that she had just taken a job as deputy commissioner for collaborative policing in Bill Bratton’s second act as commissioner of the New York Police Department. I blogged about that and then headed off to my Soros fellowship interview, worried that if Herman’s victims work were put on hold, a parallel justice story might not be timely.

I needn’t have worried. Further reporting, which I’ll advance this week by meeting with Herman and others, has shown that her high-ranking post in NYPD has everything to do with victim services and with the broader view my series takes on victim advocacy: namely, to ask what we can and should do for victims that we don’t accomplish with an approach to criminal justice focused mainly on punishment of offenders. Now, in addition to looking at how parallel justice works in a smaller city, I will explore how Herman’s work might play out in the nation’s largest city.

I have a lot more reporting to do on this story before I come to any conclusions about what I’m observing. But at least those fears I had last January, that one of my stories had just cratered, turned out to be far from true.

On the nightstand: Monday, 10/20/14

Today’s good reads in criminal-justice journalism, with an emphasis on longform narrative stories and original reporting about crime victims and reforms in sentencing and prisons:

  • Mike Kessler explains in a long, compelling narrative how abused children are at the root of the sex trade: as sexual abuse victims who then get trafficked by pimps, leading often to a life of exploitation by men who sell and buy them. Branded like cattle and often too immature to even recognize their plight, it’s clear they are repeat victims of the proverbial victimless crime of prostitution, and not simply criminals who made bad choices. (Los Angeles Magazine)
  • Alexander Nazaryan didn’t wait for the conclusion of the murder trial against Gigi Jordan to tell her story in depth. His feature explores not just the circumstances of how and why she killed her autistic child, but also the science of autism and the challenges parents face. (Newsweek)
  • In another long magazine narrative about a mom with an autistic child who tried to kill her, Hanna Rosin tells the story of Kelli Stapleton, now serving at least 10 years for her crime. As in the Newsweek story, the mom in this story is intelligent, caring, and involved in her child’s care. And yet she chose murder-suicide as her escape from this parenting hell (she failed on both counts, but her daughter suffered terribly). Most intriguing angle, to me: where Rosin explains what she means when she writes, ” a parent who presents herself as a genuine victim of her own child is approaching a taboo.” (New York)
  • Alizah Salario describes a project in Brooklyn’s Bedford-Stuyesant neighborhood to remember gun-violence victims with silhouettes placed at the shooting sites. A collaboration of a city councilman and a neighborhood activist, the campaign is both jarring and inspiring, forcing the rest of us to think about the cumulative loss and what needs to change. (Beacon)
  • A large team of New York Times reporters digs into the circumstances surrounding the latest sports-violence scandal, this time in Sayreville, New Jersey, and come up with a detailed report with hints that this time victims’ advocates may be overreacting, a la Duke lacrosse. Is it possible this is now a case of criminalizing youthful misbehavior and denying suspects their rights?
  • David Rosenberg writes about (and shows samples from) a years-long photo-documentary project by Isadora Kosofsky. “Vinny and David” tells the story of a family and its experience with juvenile detention. (Slate)

This not-quite-daily digest compiles and expands on posts I’ve made on Twitter, Facebook, and my other social media feeds. See the buttons on the left rail to follow me on one of those sites, or follow this blog via RSS or email.

Just ego?

Screen Shot 2014-10-19 at 9.07.18 AMThe big event in criminal-justice literature right now is the impending publication of Bryan Stevenson’s Just Mercy: A Story of Justice and Redemption. The author, a crusading advocate and leader of Alabama-based Equal Justice Initiative, already plugged his book on The Daily Show, an early indication of how much attention we can expect from his memoir about his work.

There should be no doubt about the eloquence of his words (check out his TED talk, if you aren’t among the million-plus who have already), or the impact of his work (from the wrongful-conviction case that launched his career to the leading role he played in convincing the Supreme Court to abolish mandatory life-without-parole sentences for juveniles). But wouldn’t the reader be better served by reading an independent appraisal, rather than a memoir?

That’s the question at the heart of The New York Times Book Review’s full-page review today. And the reviewer asking it has the professional standing to do so: Ted Conover, the respected journalist who has made a career of an immersive reporting style married with literary writing. Conover’s work, while often placing himself at the center of the action, is not about self-glorification. It’s not the sort of self-indulgent journalistic memoir that drives me nuts, where the subtitle of far too many magazine articles and books could be “this thing happened to me, and so I want to examine it from the perspective of me, me, me.” Instead, Conover participates in whatever he writes about to understand and explain it better.

Here’s how Conover addresses this key question about Stevenson’s book:

As I read this book I kept thinking of Paul Farmer, the physician who has devoted his life to improving health care for the world’s poor, notably Haitians. The men are roughly contemporaries, both have won MacArthur grants, both have a Christian bent and Harvard connections, Stevenson even quotes Farmer — who, it turns out, sits on the board of the Equal Justice Initiative. Farmer’s commitment to the poor was captured in Tracy Kidder’s “Mountains Beyond Mountains” (and Kidder’s advance praise adorns the back cover of “Just Mercy”).

A difference, and one that worried me at first, is that Farmer was fortunate enough to have Kidder as his Boswell, relieving him of the awkward task of extolling his own good deeds. Stevenson, writing his own book, walks a tricky line when it comes to showing how good can triumph in the world, without making himself look solely responsible.

Luckily, you don’t have to read too long to start cheering for this man. Against tremendous odds, Stevenson has worked to free scores of people from wrongful or excessive punishment, arguing five times before the Supreme Court. And, as it happens, the book extols not his nobility but that of the cause, and reads like a call to action for all that remains to be done.

Because it’s Ted Conover who’s joined the Stevenson fan club, and because he’s applied his judgment to the memoir-as-bragsheet question, I’m more apt to believe him. Then again, I’m already a Stevenson admirer. He’s one of the sources for my upcoming series on crime victims’ place in the criminal-justice reform movement. Now, at least, I have Ted Conover’s word for it when I wonder if Stevenson should have deferred to someone else to tell his story.

On the nightstand: Saturday, 10/18/14

Today’s good reads in criminal-justice journalism, with an emphasis on longform narrative stories and original reporting about crime victims and reforms in sentencing and prisons:

  • Craig Malisow revisits the Houston serial-murder spree of Dean Corll and Wayne Henley through the eyes of a woman who witnessed their final act. The rest of her life has been in turmoil since then, and yet she was considered more a suspect than a victim. (Houston Press)
  • Robert Kolker documents eight New York City traffic victims and the circumstances that prompt their families to seek solutions that will prevent the next fatality. (New York)
  • Ashley Cleek’s story on the only Scottsboro Boy to be pardoned during his lifetime examines the ripple effects on lives long after an injustice and the difficulties of pursuing reparations. (Life of the Law)
  • Rebecca Davis O’Brien reviews Probable Cause, a book of photography by Matt Gunther from nine years Gunther spent on the streets of Newark photographing Newark police and the people they encountered. O’Brien grapples with a central question about the images: Is it possible to depict a troubled police department in a troubled city without taking a stand on the righteousness of the policing work? (The New Yorker)

This not-quite-daily digest compiles and expands on posts I’ve made on Twitter, Facebook, and my other social media feeds. See the buttons on the left rail to follow me on one of those sites, or follow this blog via RSS or email.

On the nightstand: Thursday, 10/16/14

Today’s good reads in criminal-justice journalism, with an emphasis on longform narrative stories and original reporting about crime victims and reforms in sentencing and prisons:

  • Tanya Erzen paints a startling portrait of Louisiana’s faith-based education system in its toughest prisons. A program that arguably discourages prison violence and gives inmates a constructive outlet also appears to be coercive and unconstitutional proselytizing, in a plantation-like setting where the warden rules absolutely. (Guernica)
  • Patrick Radden Keefe tells the story of insider trader Mathew Martoma in devastating detail. The central mystery: why Martoma didn’t snitch on his hedge-fund boss, and instead took the fall in a huge insider-trading scandal. (The New Yorker)
  • Gary Gately conducts a Q&A with Jennifer Gonnerman about how she reported her story for The New Yorker about the nightmarish mistreatment of a teen imprisoned on Rikers Island for three years without ever getting convicted of anything (which I summarized here). She provides interesting insight into how she learned of the story, how she reported it, and how it fits with the rest of her work. (Juvenile Justice Information Exchange)
  • In another how-he-did-it story, IRE’s Shawn Shinneman interviews Chris Baxter of the Star-Ledger and NJ.com about how he used FOIA, a strategic leak, and persistence in building a database to tell the story of a questionable death of a man in police custody. (IRE)
  • On the blog, I posted an update on my series about crime victims (with some audio snippets) and I critiqued news coverage of the Harvard controversy over a new sexual-misconduct policy, and what that controversy and coverage says about our approach to crime victims.

This not-quite-daily digest compiles and expands on posts I’ve made on Twitter, Facebook, and my other social media feeds. See the buttons on the left rail to follow me on one of those sites, or follow this blog via RSS or email.

Fight coverage ignores key facts

This New York Times story about the controversy at Harvard over its new sexual-misconduct policy illustrates everything that’s wrong about fights involving crime victims and legal policy.

The story concerns a protest by Harvard law professors over the university’s new policy. The professors complain that the policy denies “the most basic elements of fairness and due process” in procedures that “are overwhelmingly stacked against the accused.”

So, how about an example? Or just a summary of what changed beyond opponents’ characterization of procedural weaknesses? Nada. By focusing almost exclusively on the he-said/she-said of the fight without ever bothering to describe the substance of what the fight is about, the story begs the reader to choose sides based on preconceived notions. Vote yes if you think campus rape is out of control and needs to be taken more seriously by colleges. Vote no if you think the recent controversies are an overreaction.

In the words of a Harvard sophomore prominently quoted in the Times story in opposition to the law faculty’s concerns:

 “It just seems like they’re defending those who are accused of sexual assault. Harvard is trying to create these policies to protect those who need defending.”

What a sophomoric argument (heh). In other words, anyone who dares to question how the ultimate goal gets reached has taken the wrong side in this struggle.

Too often, whatever the topic concerning criminal justice and sentencing, we’re asked the same question — in effect, are you for or against the victim? If for (and who would want to say against?), then no solution is too extreme.  That kind of mindless approach, fostered by press coverage like this, has given us over-criminalization, extreme punishment, and other overreactions borne of assumptions about what victims need and what will protect others from becoming victims.

So what are the details of this policy that, as Walter Olson points out at Overlawyered, drew the objections of law faculty from across the ideological spectrum? The letter itself goes into some of the details, but in a summary fashion and obviously from only one point of view. The Boston Globe‘s news story on all of this barely improves on the Times‘ version. Tovia Smith’s story for NPR goes into a bit more depth about a process stacked in victims’ favor, but still fails to dive into the particulars of how exactly this all functions. This Harvard Crimson story from last July, when the policy was enacted, does a better but not great job of explaining what’s changed.

I surrender. I will wait for a more in-depth story by someone, eventually. I could just read the policies new and old and try to make up my own mind. But reported journalism is supposed to do this work for me, the casual reader, and then bring in the voices of experience to put those facts in perspective. What a disappointment when it only does part of the job on such an important topic.

Project update: hours of audio

It’s been a little over a month since I last posted about my work in progress on my Soros Media Fellowship project, a series on crime victims. I had hoped by now that the first installment would have been published by Slate, but first I missed my self-imposed deadline and then changes at Slate delayed us further (the series originally was to be edited by Dahlia Lithwick, but now it’s being overseen by Slate’s deputy editor, John Swansburg). I’m not complaining — this is the nature of this work, especially when dealing with long stories and big projects — and I’m certainly not lacking for things to do.

Which brings me to the point of this post, beyond simply noting that I still can’t predict exactly when the series will go public (but soon!). When I’m not reporting on the six remaining stories (and updating the first installment as it sits in a queue) — tons of reading for research, talking to people who work in this field, lining up and conducting interviews, setting up my next road trips — I’m transcribing. And transcribing. And more transcribing.

Because I record most of my interviews and the scenes that I observe in the field, I’m left with lots of transcription work afterward. Even if I could afford to farm that work out, I wouldn’t because of the value I get from listening to the recordings. As I replay them and take notes, I jot down ideas and notes in the various story outlines. This person might be quotable on this point in this story. This idea needs to be explored in that story. And so on.

The transcripts themselves are not really transcripts. They’re paraphrased notes and observations — as I listen, I’m reminded of what I saw as the words were spoken, and I refer back to my handwritten notes for more observations of what I saw — and then exact quotations only in cases when I think I might end up using a quote. Along the way, I note the elapsed time in the recording, so that I can easily find a specific passage again. I tend to overestimate what might end up useful to me later on, in part because I hope to turn the project into a book after my Soros year is over. So, if a conversation is particularly helpful to my stories, a one-hour interview might take three hours to transcribe. From my weeklong trips in Texas and California, and from dozens of phone interviews since May, I have more hours of recordings than I can count. And nearly every day I add to them.

That all adds up to a mighty backlog. So, while I wait for my new editor’s thoughts on part one and the plan for the rest of the series, I stare and type.

Sounds awfully exciting, I know. Actually, the good news is that I find my subjects’ voices, words, and messages inspiring, even on rehearing. I hear things I didn’t notice the first time, or need to be reminded of when I finally get around to transcribing sometimes weeks or months after the fact.

I’ll give you a taste of what I mean from an interview I’m transcribing this morning. The person speaking is David Guizar, who lost two brothers to street violence in South Los Angeles and now devotes his life to helping survivors and working on gang intervention and violence prevention. Here are two brief snippets from my talk last month with Guizar at his home.

In the first excerpt, he talks about the trauma of losing his brother when Guizar was only 10:

Then Guizar speaks of his reaction at age 39 when another brother was murdered, and he faced a choice in how to respond:

When I tell Guizar’s story, I’ll explain how his and his family’s experiences in two separate murders many years apart colored their perceptions of justice, both bad and good, and how Guizar channeled his emotions in a more positive direction the second time around.

On the nightstand: Tuesday, 10/14/14

Today’s good reads in criminal-justice journalism, with an emphasis on longform narrative stories and original reporting about crime victims and reforms in sentencing and prisons:

  • Daniel Alarcón’s gripping narrative, “The Contestant,” takes us inside Peru’s seamy reality-TV industry, where a family becomes a tool for an exploitative show. After sparking a retaliatory murder, the show and its “news” competitors swoop in to pick through the remains. (California Sunday Magazine)
  • In a demonstration of Huffington Post’s aspirations to produce originally reported journalism — that is, when it’s not stealing its content (I guess the polite term is “curating”) or duping writers into working for free — this Ryan Reilly report on Christy Lopez explains the expertise and attitudes of the lead Justice Department lawyer in the probe of the Ferguson, Missouri, police department. (Huffington Post)
  • Who better than former prisoner Shane Bauer to describe the remarkable art exhibit of Ai Weiwei at Alcatraz? The contemplation on prisoners of conscience even manages to tweak the U.S. at an installation run by the National Park Service. (Mother Jones)
  • Joe Nelson reports on a battle over the constitutionality of local laws in California that go well beyond state law restrictions on sex offenders. (San Bernadino County Sun)

This not-quite-daily digest compiles and expands on posts I’ve made on Twitter, Facebook, and my other social media feeds. See the buttons on the left rail to follow me on one of those sites, or follow this blog via RSS or email.

A writer and editor on law, crime, and business